VIVIAN MAIER | SELF PORTRAITS: Exhibition and Book Signing at Howard Greenberg Gallery

Vivian Maier: Self-Portrait, September 10, 1955–Anaheim, California

Courtesy Howard Greenberg Gallery

Vivian Maier: Self-Portrait Exhibition
 

"An exhibition of self-portraits by recently discovered street photographer Vivian Maier made from 1950 – 1976 will be on view at Howard Greenberg Gallery from November 8 – January 4, 2014. The exhibition coincides with the publication of the book Vivian Maier: Self-Portraits (powerHouse Books, Nov. 2013) that surveys Maier’s self-portraits, many of which are being shown and published for the first time. Opening reception will be Thursday, November 7, from 6-8 p.m"

"The story of Vivian Maier has practically become a photography legend:  Born in New York City in 1926, she spent much of her youth in France. Returning to the U.S. in 1951, she worked as a nanny in Chicago and New York for 40 years. Reclusive and eccentric, she took pictures all the time, yet never showed them to anyone. From the 1950s to the 1990s, with a Rolleiflex dangling from her neck, she made over 100,000 images, primarily of people and cityscapes."

"Maier’s massive body of work,which could have been destined for obscurity, was housed in a storage locker in Chicago for many years. Unbeknownst to her caretakers (three of the grown children she had looked after), the contents of her storage locker had been dispersed due to non-payment. Her negatives were discovered by Chicago-based realtor and historian John Maloof at an auction house in Chicago in 2007. Maloof pieced together the identity of the mysterious photographer, but Vivian Maier died in 2009, before Maloof was able to speak with her. In the years that followed, Maloof has brought her work to the attention of the art world and the general public; and since 2010, nearly 20 exhibitions of photographs by Vivian Maierhave been mounted in the U.S. and Europe. Numerous critics have written that her work will be remembered as some of the best 20^th-century street photography." – Text courtesy of the Howard Greenberg Gallery

Vivian Maier: Self-Portrait at Howard Greenberg Gallery is the first exhibition to explore the photographer’s numerous self-portraits and the first U.S. gallery exhibition of her color work.

Vivian Maier: Self-Portrait 

Exhibition: Nov 7 – January 4, 2014

Howard Greenberg Gallery
41 East 57th Street
New York, NY

 powerHouse Books, November 2013

Photographs by Vivian Maier

Edited by John Maloof, Essay by Elizabeth Avedon

Vivian Maier: Self-Portraits
Howard Greenberg Gallery
41 East 57th Street
New York, NY

APERTURE 40TH SPECIAL ISSUE FALL 1992-II: Richard Misrach + Mary Ellen Mark

                         Richard Misrach (click to enlarge)

White Man Contemplating Pyramids, Egypt 1989

© Richard Misrach, courtesy Fraenkel Gallery, San Francisco, 

Marc Selwyn Fine Art, Los Angeles and Pace/MacGill Gallery, New York

 APERTURE Cover by ROBERT RAUSCHENBERG
40th Year Anniversary Issue, Fall 1992

I recently came across APERTURE'S 40TH YEAR SPECIAL ANNIVERSARY ISSUE, published in Fall 1992. It's an extraordinary look back at Photography before the popularity of digital camera's came into the picture. ("Not until 2001 did Kodak begin selling mass-market digital cameras"–Ben Dobbin, AP). Michael E. Hoffman was still Director and Publisher of the Aperture Foundation. Hoffman published the legendary Diane Arbus Monograph by Marvin Israel and Doon Arbus in 1972, now in it's 40th-Year Anniversary printing, as well as books by Edward Weston, W. Eugene Smith, Paul Strand and Dorothea Lange, among many other greats.

The following excerpt is from Aperture's 40th Anniversary Issue: 

"1992, ABOUT APERTURE: Forty Years after it's origination, Aperture celebrates the Founders' affirming spirit. Seventy photographers published in Aperture since 1952 selected photographs especially for this Anniversary Issue. One image from each artist was chosen. The photographers also wrote their thoughts on photography in general or, if they referred, about their work in particular, much as the founders suggested should happen in their first editorial."

"...In keeping with the spirit of Dorothea Lange and other Founders who measured Aperture's success in part by the depth and expression of it's social conscience, Aperture will continue to be a forum for those photographers who are committed to confronting the crises and concerns of our time...." –THE EDITORS, Number One Hundred Twenty-Nine, Fall 1992

Also included in this issue were photographs by Josef Koudelka, Eugene Richards, Eudora Welty, Sophie Calle, McDermott and McGough, Alex Webb, Sally Mann, Maggie Steber, Chuck Close, Thomas Struth, David Turnley, Helen Levitt, Henri Cartier-Bresson, Carrie Mae Weems, Joel Sternfeld, Masahisa Fukase, Jan Groover, Nick Knight, Barbara Morgan, David Wojnarowicz and Margaretta K. Mitchell. There may have been others I missed. See APERTURE'S 40TH YEAR SPECIAL ANNIVERSARY ISSUE: Part I here

Left, RICHARD MISRACH, White Man Contemplating Pyramids, 1989, as seen on page 50, APERTURE 1992 40th Year Anniversary issue. Right, ELAINE REICHEK, Red Delicious, 1991.

Left, INGE MORATH, Untitled, 1961, and right, MARY ELLEN MARK, Acrobats Rehearsing, Great Golden Circus, Ahmadabad, India, 1989, as seen on pages 32 and 33, APERTURE 1992 40th Year Anniversary issue.

APERTURE 40th Year, Fall 1992: PART I

Many thanks to the Fraenkel Gallery for your help in posting Richard Misrach's, White Man Contemplating Pyramids, Egypt 1989