Showing posts with label Photography Book. Show all posts
Showing posts with label Photography Book. Show all posts

Friday

FINDING VIVIAN MAIER: Filmmakers

 Michael Moore with "Finding Vivian Maier" filmmakers 
John Maloof and Charlie Siskel at the DOC NYC Festival

 Vivian Maier—Courtesy of John Maloof

 Undated, Chicago area.  Vivian Maier—Courtesy of John Maloof

"In some ancient civilizations, one’s shadow alludes to a doppelgänger. There are many here. Shadows on sidewalks, shadows crossing over windows, over newspaper headlines, over dried leaves where her heart should have been...." Elizabeth Avedon, Self Portrait: My Impression of Vivian Maier


Vivian Maier: Self-Portraits
Photographs by Vivian Maier, Edited by John Maloof
Essay by Elizabeth Avedon. Published by powerHouse Books

Vivian Maier: Self-Portraits was recently selected by American Photo as one of the best books of 2013 and includes my essay, Self Portrait: My Impression of Vivian Maier. See the book here 

Sunday

VIVIAN MAIER: powerHouse Books

Undated, New York
Vivian Maier. Courtesy of John Maloof

Photographs by Vivian Maier, edited by John Maloof
Published by powerHouse Books 

"Celebrated by The Wall Street Journal, Vanity Fair, The New York Times, American Photo, Town and Country, and countless other publications, the life’s work of recently discovered street photographer Vivian Maier has captivated the world and spawned comparisons to photography’s masters including Helen Levitt, Lisette Model, Walker Evans, and Weegee among others."


"Now, Vivian Maier: Self-Portraits reveals the fullest and most intimate portrait of the artist to date with approximately 60 never-before-seen black-and-white and four-color self-portraits culled from the extensive Maloof archive, the preeminent collector of the work of Vivian Maier and editor of the highly acclaimed Vivian Maier: Street Photographer (powerHouse Books, 2011)—bringing us closer to the reclusive artist than ever before." –powerHouse Books

TIME lightBox: Vivian Maier: Self-Portraits

TIME LightBox: Elizabeth Avedon speaks to historian and collector John Maloof about discovering Vivian Maier’s work and the elements of Maier’s photography that sets her apart. An except from that interview below...

Elizabeth Avedon: There is one particular image of Maier casting a full-length reflection in a window, two women sitting together fall within her shadow. It’s a wonderful layered image. What are your thoughts on this photograph and Maier’s frequent use of her own reflections and shadows?

John Maloof: It seems that Maier was an outsider looking into the lives of others. People weren’t aware of how great she was as an artist but she didn’t need that validation to keep going as a photographer. She could see a moment that was more unobtrusive and intimate yet powerful. As a frugal person, she knew she had to strive to get the shot perfect to not waste film. The women’s legs match up with Maier’s, she’s looking in from the outside at a mother and daughter (presumably), the glow from the light behind the plant inside illuminates Maier’s camera, and there’s a perfect break in the background where there are no buildings or trees blocking the sky so her silhouette can be in the composition. It’s perfect.

Read the entire interview and view the images on TIME LightBox here





Saturday

VIVIAN MAIER | SELF PORTRAITS: Exhibition and Book Signing at Howard Greenberg Gallery

Vivian Maier: Self-Portrait, September 10, 1955–Anaheim, California
Courtesy Howard Greenberg Gallery

"An exhibition of self-portraits by recently discovered street photographer Vivian Maier made from 1950 – 1976 will be on view at Howard Greenberg Gallery from November 8 – January 4, 2014. The exhibition coincides with the publication of the book Vivian Maier: Self-Portraits (powerHouse Books, Nov. 2013) that surveys Maier’s self-portraits, many of which are being shown and published for the first time. Opening reception will be Thursday, November 7, from 6-8 p.m"


"The story of Vivian Maier has practically become a photography legend:  Born in New York City in 1926, she spent much of her youth in France. Returning to the U.S. in 1951, she worked as a nanny in Chicago and New York for 40 years. Reclusive and eccentric, she took pictures all the time, yet never showed them to anyone. From the 1950s to the 1990s, with a Rolleiflex dangling from her neck, she made over 100,000 images, primarily of people and cityscapes."


"Maier’s massive body of work,which could have been destined for obscurity, was housed in a storage locker in Chicago for many years. Unbeknownst to her caretakers (three of the grown children she had looked after), the contents of her storage locker had been dispersed due to non-payment. Her negatives were discovered by Chicago-based realtor and historian John Maloof at an auction house in Chicago in 2007. Maloof pieced together the identity of the mysterious photographer, but Vivian Maier died in 2009, before Maloof was able to speak with her. In the years that followed, Maloof has brought her work to the attention of the art world and the general public; and since 2010, nearly 20 exhibitions of photographs by Vivian Maierhave been mounted in the U.S. and Europe. Numerous critics have written that her work will be remembered as some of the best 20th-century street photography." – Text courtesy of the Howard Greenberg Gallery


Vivian Maier: Self-Portrait at Howard Greenberg Gallery is the first exhibition to explore the photographer’s numerous self-portraits and the first U.S. gallery exhibition of her color work.

Exhibition: Nov 7 – January 4, 2014

Howard Greenberg Gallery
41 East 57th Street
New York, NY

 powerHouse Books, November 2013
Photographs by Vivian Maier
Edited by John Maloof, Essay by Elizabeth Avedon

Vivian Maier: Self-Portraits
Howard Greenberg Gallery
41 East 57th Street
New York, NY

Thursday

JANET RUSSEK: The Tenuous Stem

 Janet Russek: The Tenuous Stem (Radius Books)
Photographs by Janet Russek. Essay by MaLin Wilson Powell

 Beets on Paper, 1994

 Squash in Bowl, 1993

Twin Porcelain Dolls, 2008

The poignancy and promise of the life cycle informs Janet Russek’s long term photographic project, The Tenuous Stem. She began this work expressing sadness over loss, while noting the possibility of new life carried by a seed or a stem. In 1989, Eliot Porter—her mentor and friend—gave her a monorail camera which was too unwieldy for anything but studio work, and although she has always worked with 4 x 5 cameras, she set up still lifes for the first time.

Using only natural light she started photographing ripe squashes, peaches , and pears, alluding to the fullness of pregnancy. She then worked with vegetables and roots, and finally, the maturing plant, whose lush ripeness harbors will spiral into decomposition and decay. In subsequent years, Russek has expanded the project to include portraits of dolls that explore the darker, more psychological side of childhood and parenting, and a memory series that includes photos of significant personal objects that harken to the past, and take this volume full circle—like the life cycle itself. (Radius Books)

This book is a gorgeous collectors edition; beautifully printed by Janet Russek and classically designed by Radius Books. Look for a copy! – EA

I attribute my renewed love and appreciation for Photography to Janet Russek and David Scheinbaum. Their educational evenings, generously given in their Gallery on the fine art of printing and the history of photography, were highlighted by the most extraordinary examples of vintage original prints by Eliot Porter, Ansel Adams, Atget, Callahan, Kertesz, among so many other great photographers. Check out the Scheinbaum and Russek Gallery on your next visit to New Mexico. 

Wednesday

ARTHUR MEYERSON: The Color of Light

 
"The Color of Light"
 Front Cover: Red Hat, Wyoming
Buy The Book Here

Red Car, Blue Interior

"An Arthur Meyerson image is both original and classic. There is no more winning combination. Looking at his photographs one feels they have entered a world more beautiful than any they could have imagined" – Amy Arbus. Photographer, New York


 The Palio, Italy

"Powerful, elegant photographs by one of the most respected photographers working today. The world according to Arthur Meyerson, is one f enchanting color, deep beautiful, humor and hope." – Keith Carter, Photographer. Beaumont, Texas


 Blue Suede Shoes Salook, Memphis

 "Why in God's name would anyone believe anything good I say about Arthur Meyerson? After all, everyone knows he's one of my best friends. – Jay Maisel, Photographer

Exhibition: Colorful and exotic locales captured by award winning photographer, Arthur Meyerson on his photographic journeys to all seven continents. 

Now through February 18, 2014

Tuesday

DAVID SCHEINBAUM: Hip Hop Portraits Book

 Professor Griff of Public Enemy, 2002
Photograph © David Scheinbaum

The Executioners, 2004
Photograph © David Scheinbaum

 Method Man and Redman, 2002
Photograph © David Scheinbaum

 Mos Def, 2002
Photograph © David Scheinbaum


"Since its inception in the 1970s, hip hop music and the culture surrounding it has become a hugely influential and popular musical form in America and around the world. Its popularity extends beyond the urban centers where it was born, and pervades and influences youth culture around the globe.  However, few artists have created serious and powerful photographs that explore the breadth of the phenomenon.  With this volume, David Scheinbaum has done just that.  His portraits of Erykah Badu, Chuck D., George Clinton, Common, Mos Def, Del-Tha Funkee Homosapien, Sage Francis, Professor Griff, KRS One, Mike Relm, Tajai, Wu-Tang Clan and Yelawolf (among others) approach hip hop as a positive cultural influence akin to the youth movement of the 1960s.  Scheinbaum's photographs are accompanied by essays by Gaye Theresa Johnson and Michael Eric Dyson, an artist conversation with Frank H. Goodyear III and an introduction by Brian Hardgroove of Public Enemy."


David Scheinbaum is former Director/Chair of the Photography Department at the Santa Fe University of Art and Design, and Professor Emeritus, College of Santa Fe. He is also one half of the well known fine art photography gallery, Scheinbaum and Russek LTD, the exclusive representatives for the Beaumont and Nancy Newhall Estate and for the Eliot Porter Estate.

Here is a little background. In 1978, Scheinbaum moved to Santa Fe, New Mexico with the hope of meeting and working with the pre-eminent photography scholar, Beaumont Newhall. This dream came true. Their professional relationship had many facets and a friendship quickly developed. In 1979 David began printing for Beaumont NewhallThe many people who came to work and study with Beaumont often asked to see his photographs – thus David found himself in the position of creating a “meeting place” for photographers and collectors. The idea for a gallery evolved and in 1980 when Janet Russek moved to Santa Fe they opened their doors with a retrospective of Willard Van Dyke’s work.

While David continued to work with Beaumont Newhall, Russek began assisting Eliot Porter. Their relationship also grew from the studio to the gallery and the gallery began to expand representing both local and international photographers. To date they have exhibited and worked with over 300 photographers. Scheinbaum and Russek have approached the gallery world through their roles as educators, artists, and collectors and bring to their gallery an appreciation of photographers, the fine print and the history of photography.

David Scheinbaum's other publications include, Bisti, photographs of New Mexico's Bisti Badlands (University of New Mexico Press, 1987), Miami Beach: Photographs of an American Dream (Florida International University Press, 1990), and Stone: A Substantial Witness (The Museum of New Mexico Press, 2006). He and his wife, Janet Russek, have collaborated on two projects; Ghost Ranch: Land of Light, Photographs by David Scheinbaum and Janet Russek (Balcony Press, 1997) and Images in the Heavens, Patterns on the Earth: The I Ching (The Museum of New Mexico Press, 2005). And now his most recent publication, Hip Hop: Portraits of An Urban Hymn (Damiani Editore) will be released in November 2013. This work was featured at The National Portrait Gallery of the Smithsonian Institution, entitled Recognize: Hip-Hop and Contemporary Portraiture, and at the Norton Museum of Art. His current work focused on the Lower East Side of New York.

I attribute my renewed love and appreciation for Photography to Janet Russek and David Scheinbaum. Their educational evenings, generously given in their Gallery on the fine art of printing and the history of photography, were highlighted by the most extraordinary examples of vintage original prints by Eliot Porter, Ansel Adams, Atget, Callahan, Kertesz, among so many other great photographers. Check out the Scheinbaum and Russek Gallery on your next visit to New Mexico.
 

Wednesday

AMY ARBUS: ICP Book Signing April 26

 Join Amy Arbus for a signing of her new book, After Images, at ICP


ICP Book Signing: Amy Arbus "After Images"
ICP Store, 1133 Avenue of the Americas
Friday, April 26, 6:00pm–7:30pm 
 
Amy Arbus's fifth book, After Images, is an homage to classic paintings by Picasso, Modigliani, and Cezanne among others. A boxed edition from Schiffer Publishing, it contains 24 color plates and a conversation between Arbus and Larry Fink. After Images is perhaps her most visually arresting photographic series to date. Arbus's chiaroscuro lighting and lush colors produce emotionally dark trompe l'oeil portraits. The photographs are a discussion of what occurs in the lens between the real, the represented, and how memory influences perception. ICP Chief Curator Brian Wallis writes, "her astonishing pitch-perfect pictures say as much about the sweetly treasured past of painting as they do about the unpredictably hybrid future of photography."

Please note that due to professional obligations, photographer's book signing dates may change without notification. Limit of two signed copies per customer. Pre-orders and reserve orders are not guaranteed but every effort is made to fulfill orders. Books must be purchased from the ICP Store. If purchased before date of event, please bring your receipt. For more information, call 212.857.9725. This event takes place during voluntary contribution hours at the museum. (Source: ICP)

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